(U) Episode 1: “Telemachus” ~pp 1-24.

Episode References from Stuart Gilbert’s James Joyce’s Ulysses. Title: Telemachus Scene: The Tower Hour: 8 a.m. Organ: (none) Art: Theology Colour: White, gold Symbol: Heir Technic: Narrative (young) One Favorite Quote among Many “Horn of a bull, hoof of a horse, smile of a Saxon.”   Stephen’s dangers to the Irish. What’s Important? The attachedContinue reading “(U) Episode 1: “Telemachus” ~pp 1-24.”

Where Has Your Copy of Ulysses Been?

The James Joyce Reading Circle targets a readership of about 400. That is the optimum size for a community. This is not done to be elitist but to try to actually know something about those we are trying to serve. That’s a typical size for an Amish community but not for a following on socialContinue reading “Where Has Your Copy of Ulysses Been?”

(D)about “A Little Cloud” ~December 1 (“Late Autumn”)

Joyce named this story as a personal favorite. He honored it by returning to the title imagery repeatedly over the thirty-five years that followed. The little cloud originates in Elijah’s ascension in a fiery chariot and a wailing child in Blake’s “Mad Song.” Gordon economically says “A Little Cloud” “…reflects the kinds of allusions thatContinue reading “(D)about “A Little Cloud” ~December 1 (“Late Autumn”)”

(D) about “Eveline,” October 8

Hugh Kenner invites us to consider that Frank of “Eveline” speaks for Frank’s creator, James Joyce. Sondra Melzer expands that comparison claiming Eveline speaks for Nora Barnacle. Joyce carried Nora off to parts unknown on October 8, 1904, but resisted any urge to marry her until 1931. Were his motives noble, or did he findContinue reading “(D) about “Eveline,” October 8″

(D) about “Counterparts,” February 16

  [Setting “Counterparts” on the Dubliners Calendar requires some finesse. If sunset occurs at about 5:30 PM, the date might be soon after February 12 and also after mid-month. Ireland, however, did not begin Daylight Savings Time until 1916. Joyce finished “Counterparts” on July 16, 1905. Alternately, the sunset might coincide with a November setting,Continue reading “(D) about “Counterparts,” February 16″

(D) about “The Dead,” January 6

‘the dead are dancing with the dead./The dust is whirling with the dust.’ (Oscar Wilde, “The Harlot’s House”) Befuddled Julia Morkan, “toddling” on the arm of Mister Archibald DeathBrowne, appears “ignorant, old, grey-skinned, and stupified.” She exits the room of her minor musical triumph for the feast where Gabriel of the next generation will eulogize herContinue reading “(D) about “The Dead,” January 6″

(GJ) Canto IXXX (p. 11, ll. 1-9).

From Joyce’s Giacomo Joyce: Tie My girdle for me and bind up this hair in any simple knot. An Original Haiku: Her authority/ Running kitchen and manor/ Swings pendulum-like/ About Giacomo Joyce XXIX: If you have been reading this blog, you may remember another mention of Beatrice Cenci by Dante in The Divine Comedy. In thisContinue reading “(GJ) Canto IXXX (p. 11, ll. 1-9).”

(GJ) Canto XXVI (p.9, ll. 21-31).

From Joyce’s Giacomo Joyce: I play lightly, softly singing, John Dowland’s languid song.  An Original Haiku: The spacetime poet/ Stumbles through past and present,/ And eternity/ About Giacomo Joyce XXVI: In this canto, Joyce sings and plays love songs in the Popper home until dawn approaches. Delaying the walk home, he ends the evening singingContinue reading “(GJ) Canto XXVI (p.9, ll. 21-31).”

(GJ) Canto XXII (p.8, ll. 29-36).

From Joyce’s Giacomo Joyce: The sellers offer on their altars the first fruits: green- flecked lemons, jewelled cherries, shameful peaches with torn leaves…. Owlish wisdom stares from their eyes brooding upon the lore of their Summa contra Gentiles.  An Original Haiku: Dark exotic eyes/ Sharp-sighted while his are weak/ Untether her soul/ About Giacomo JoyceContinue reading “(GJ) Canto XXII (p.8, ll. 29-36).”

(D) about “A Painful Case,” November

https://jamesjoycereadingcircle.com/wp-admin/post.php?post=2116&action=edit# “He walked along quickly through the November twilight, his stout hazel stick striking the ground regularly,….” Duffy furnishes his tidy Chapelizod dungeon with an unusual number of cold iron appurtenances. The few colors of his flat (“white bedclothes and a black and scarlet rug”) suggest sterility, moroseness, and violence. Into his window peeps aContinue reading “(D) about “A Painful Case,” November”